Celebrating South Asian Queerness with Sher Vancouver at the Desi-Q Gala!

Celebrating South Asian Queerness with Sher Vancouver at the Desi-Q Gala!

This is an article written by one of our incoming graduate students Viplav Subramanian for Pancouver.

The Indian subcontinent—known for its diversity and versatility of identities, cultures, and people—celebrated the presence of Queerness in a unique and empowering fashion in the past. In this regard, its residents were turning the wheels of history against the colonial project.

From descriptions of trans identities, drag culture, and nonbinary folk in popular Indian mythologies like Ramayana and Mahabharata, to the understanding of homosexuality in Kama Sutra, India has historically been accepting and welcoming of Queer identities. Rejuvenating this spirit of inclusion and celebration, it is vital to combat ongoing trans hate and Queer erasure in the North American context.

Conducting revolutionary activism, various individuals, artists, and organizations are labouring toward the upliftment of Queer communities in Canada. One such not-for-profit organization, Sher Vancouver, has been committed toward network-building, social services and well-being of South Asian Queers and allies.

As a volunteer at Sher, I have witnessed the immense work put toward the betterment of this particularly marginalized community. The organization does this through social programming, provision of mental-health services, practicums, elaborate outreach programing, and collaboration with many others in Vancouver and Surrey.

Commemorating its efforts toward safeguarding and elevating the lives of Queer South Asians, Sher celebrated its 15th Anniversary through the Desi-Q gala held on July 8.

The event was a beacon of hope. It showcased many Queer South Asian artists and performers demonstrating their appreciation. The gala also recognized those conducting labour on behalf of the organization, and much more. With more than 15 official sponsors and around 600 individuals attending the event, Desi-Q was a success in promoting the diversity of Queer South Asian culture.

Queerness welcomed

Sher Vancouver founder Alex Sangha expresses that Sher creates an inclusive haven where individuals can thrive and find solace in the support and camaraderie of like-minded souls.

“Sher stands as an exceptional and unique organization in Canada, offering a rare and unparalleled dual purpose as both an arts, cultural, and social-service registered charity for Queer South Asians and allies,” states Sangha. “We possess a distinctiveness that sets us apart. By bringing individuals within our community together, we ensure that no one ever feels alone.”

Joshna Hirani, the community manager, says Desi-Q was “an evening that celebrated both culture and identity, beautifully highlighting the importance of representation and visibility for all individuals within the diverse South Asian LGBTQIA+ community and beyond.” Hirani hopes that events like these normalize all types of relationships, regardless of gender or sexuality, fostering a more inclusive society.

In highlighting the efforts of Sher Vancouver members, Desi-Q moved beyond the celebration of Queerness to promoting and appreciating the labour of those who help sustain systems of regeneration and upliftment. This came through an executive and volunteer recognition section.

Karn Singh Sahota, the outreach manager, was delighted to see the spectacle of Desi-Q. As well, Sahota was delighted by the provision of a platform to recognize efforts that many conduct in promoting a safe and inclusive culture of Queerness.

“We at Sher Vancouver have made the utmost effort to cultivate a community that can come command space and be seen in an increasingly hostile time for the Queer community at large,” he says. “Sher Vancouver hopes to continue serving the community with more programming and expanding the organization’s reach far beyond Metro Vancouver.”

Desi Futurism on display

The event reflected the concept of Desi Futurism. According to Chatham University professor Ryan A. D’Souza, Desi Futurism is “a critical perspective that interrupts whitewashed imaginations of a technologized future with the experiences of the past-present to write desi versions of the past, present, and future”.

Sher held space to reclaim art and performance in South Asian culture through a Queer lens. From decorations to drag, Desi-Q preserved the beauty and wonders of Queerness in South Asian dance, song, and art.

Ritesh Matlani, whose work was featured at Desi-Q, is a South Asian Queer flower artist. They use the medium of floral design to create an experience for their community that has otherwise not been provided to them in conventional narratives.

“I’ve grown up watching films and weddings where flowers and beauty surrounded heteronormative identities,” Matlani says. “Creating a lush garden in which all our Queer identities could thrive, feeling loved and precious, meant a lot to me. I am doing for others, what I wish someone would have done for me. And Sher Vancouver is the perfect platform for our ambitions and dreams to meet, and allow South Asian Queer art to heal the community.”

In fact, to engage in active collaboration with other marginalized folks, Matlani has sourced all their flowers from Lower Mainland farms run by women who are advocates and supporters of the 2SLGBTQ+ community.

Many spectacles and elements of Desi Futurism were witnessed at Desi-Q through elaborate and majestic drag performances. Nimrat, a South Asian drag queen, exclaims that such platforms regenerate spaces of appreciation and celebration of Queerness that were historically present in Indian culture.

“Showcasing such performances provides the splendour of Indian culture while also encompassing powerfully non-normative gender and sexual expressionisms,” says Nimrat.

Bad Shah and Glow Motive feel at home

Engaging with display the vibrant diversity of this community, Desi-Q also featured Canada’s only South Asian Drag King, Bad Shah, who felt a sense of coming home to their roots at the event.

“In many ways, the celebration reminded me of a big Indian wedding, where everyone was like family,” says Bad Shah. “The warmth and love in the air were palpable, creating an unforgettable sense of community and acceptance. I left with my heart full of joy, gratitude, and a renewed sense of purpose as a Bollywood drag king, ready to continue breaking barriers and celebrating my unique identity.”

Other artists included Glow Motive, who presented two soulful self-composed songs. Anjalica Solomon, one of the lead singers, mentions tht “often, as artists in so-called Vancouver, our band Glow Motive ends up performing for white audiences, so it feels special when an event is oriented towards a crowd that looks like us and wants to share in our capacity for Queer joy.”

A sense of unity and collective solidarity make Solomon feel deeply at home, which is not always a feeling that Queer folks from South Asian backgrounds have been privileged with.

Why does it matter?

“The Desi-Q Cultural Gala shines as a vital celebration in these challenging times marked by increased hostility toward gender and sexual minorities,” states Sher Vancouver founder Alex Sangha. “Desi-Q radiates the unwavering support for diversity, inclusion, and equality, emphasizing that our community stands firmly behind every individual, embracing their unique differences.”

In a society where love and inclusion are desperately needed, it’s alarming to see growing trans and Queer hatred, discrimination, and oppression. Sher Vancouver and the work it conducts are vital to the preservation and appreciation of identities and culture, otherwise erased and marginalized in Western conventional society. Desi-Q represented a leading example of such activism and celebration of authentic South Asian Queerness.

 

SOURCE:  https://pancouver.ca/celebrating-south-asian-queerness-with-sher-vancouver-at-the-desi-q-gala/

Marika Yeo

Education

BFA, University of Regina (2015)

Biography

Marika Yeo is a ceramic artist who focuses on connection, art, justice and the Caribbean diaspora. Marika uses her practice and research to think through the possibilities that the arts hold to bring about new rhythms and patterns of interaction that allow space for justice.

Research

Race the African Diaspora
Third Space Theory
How to use art as a way of knowing and expression of understanding and research

Awards

Canada Graduate Scholarships Program Master’s Scholarship (SSHRC)|University Prize in Fine Arts |Faculty of Fine Arts Dean’s Medal |P3A Dr. Joseph Pettick Memorial Award |Winter Kiley Carlson Memorial Award |Fall Freda Mesbur Memorial Prize in Visual Arts

Additional Description

Marika Yeo is a ceramic artist who focuses on connection, art, justice and the Caribbean diaspora. Marika uses her practice and research to think through the possibilities that the arts hold to bring about new rhythms and patterns of interaction that allow space for justice.

Aliyah Ali

Education

MA, Gender, Race, Sexuality, and Social Justice (2023)
B.A.H., Criminology, Kwantlen Polytechnic University (2020)
Thesis: “The Experiences of Black LGBQ Canadians within the Workplace” (2020). Supervisor: Dr. Tara Lyons

About

Aliyah Ali (she/her/they/them/Mx.) B.A.H., Criminology, Kwantlen Polytechnic University (2020). Aliyah identifies as a Disabled Queer of Colour, whose ancestors are migrants from Suva, Fiji and settlers on Musqueam First Nations territory. Aliyah holds a Community Member position on Kwantlen Polytechnic University’s Research Ethics Board.

Research

Aliyah’s thesis research project focuses on gender nonbinary Indigenous, Black and People of Colour (IBPOC) experiences with violence to answer two questions: 1) how do gender nonbinary IBPOC perceive and understand violence?; and 2) how does violence affect gender nonbinary IBPOC relationships (e.g., friendships, family, intimate partner(s) or colleagues and supervisors) and access to healthcare and support services? Her research will help fill gaps in the literature on Gender Nonbinary IBPOC and suggest potential policy recommendations (e.g., safe and equitable access to federal public/private services and facilities (e.g., hospitals, correctional facilities, post-secondary institutions, etc.).

Research Experience

(2023): Interviewee, “Intersectionality, and Racism on Dating Apps for LGBTQ BIPOC People.” CBC Vancouver. (Aired). Interviewer: Associated Producer, Vincent Papequash.

(2020): Interviewee, “Tangled up in Green: Cannabis Legalization in British Columbia After One Year.” Centre for Public Safety & Criminal Justice Research, The University of Fraser Valley. (Published). Interviewer: Professor, Dr. John Heidt.

Publications

(2023): Master’s Thesis, The University British Columbia, “Encountering Violence: The Stories Gender Nonbinary Indigenous, Black and People of Colour (IBPOC).” (In progress).

(2020): Honours Thesis Project, Kwantlen Polytechnic University, Published: “The Experiences of Black LGBQ Canadians within the Workplace.” https://kora.kpu.ca/islandora/object/kora%3A621/datastream/PDF/view

Presentations

(2022): Honours Program, Department of Criminology, Kwantlen Polytechnic University, Presentation (Invitee): “Experience in Honours and Grad School”.

(2022): Online Instructional Skills Workshop, UBC Centre for Teaching, Learning, and Technology, The University of British Columbia, Presentation: “Accessibility within the Institution”.

(2022): #HumaniNights: Celebrating the Engaged Humanities with Arts Amplifier and the Public Humanities Hub, the University of British Columbia, Presentation: “Encountering Violence: The Stories of Gender Nonbinary Indigenous, Black and People of Colour (IBPOC)”.

(2020): Thesis Defense, Kwantlen Polytechnic University, Presentation: “The Experiences of Black LGBQ Canadians within the Workplace”.

(2019): Conversations about Cannabis: Exploring the Short-Term Impacts of Legalization in the Lower Mainland, Kwantlen Polytechnic University, Presentation (Panelist): 4th-year Honours Student in Criminology & Former Grey Market Budtender.

Awards

(2021): Michelle Lynn Rosa Memorial Prize, The University of British Columbia

(2020): Faculty of Arts Graduate Scholarship, The University of British Columbia

(2020): Contribution to Scholarship Award, Kwantlen Polytechnic University

(2020): Community Engagement Award, Kwantlen Polytechnic University

(2020): Student Led Research Grant, Kwantlen Polytechnic University

Teaching Experience

(2023): “LASO 204: Introduction to Law and Society.” Law and Society, The University of British Columbia.

(2023): “GRSJ 224: Gender, Race, Sexuality and Social Justice in Literature.” The Institute for Gender, Race, Sexuality & Social Justice, The University British Columbia.

(2022): “LASO 204: Introduction to Law and Society.” Law and Society, The University of British Columbia.

(2022): “GRSJ 224: Gender, Race, Sexuality and Social Justice in Literature.” The Institute for Gender, Race, Sexuality & Social Justice, The University British Columbia.

(2021): “GRSJ 101: Introduction to Social Justice.” The Institute for Gender, Race, Sexuality & Social Justice, The University British Columbia.

Certifications

(2023): “Understanding Cutting and Self-Harm.” Mindspring Mental Health Alliance.

(2022): “Online Instructional Skills Workshop.” UBC Centre for Teaching, Learning, and Technology, The University of British Columbia.

(2022): “Positive Space: Foundations.” UBC Equity & Inclusion Office, The University of British Columbia.

(2022): “Assisted Suicide Intervention Skills Training.” ASIST Suicide Prevention Training Program.

(2019): “Crisis Prevention & Intervention Training Certification.” Battered Women’s Support Services.

(2019): “KPU’s Indigenous Awareness Program.” Kwantlen Polytechnic University.

Community Engagement

(2019-2022): Senior Crisis Line & Intake Volunteer, Battered Women’s Support Services (BWSS).

Memberships

(2022): Community Member, KPU Research Ethics Board, Kwantlen Polytechnic University.

(2022): Member, Disability United Collective, The University of British Columbia.

(2020): Member, UBC Debate Society, The University of British Columbia.

(2019): Alumna, Dean of Arts EDI Awards Working Group, Kwantlen Polytechnic University.

Dr. Mila Zuo – “Decolonizing the Sensorium: Vulgarity, Chineseness, and Global Film Stardom”

Dr. Mary Zournazi – “Reparation, Creativity, & Justice”

GRSJ Holiday Party – December 14th 2022 RSVP

 

Taq Bhandal

PhD, Gender, Race, Sexuality and Social Justice, UBC (2022)
MA, Health, Policy & Equity, York University (2014)
BSc Hon, Biology, Dalhousie University (2012)

Biography

My name is Taqdir (Taq) Kaur Bhandal (English) ਤਕਦੀਰਕੌਰਭੰਡਾਲ(Gurmukhi-Punjabi). I am a researcher in the field of health professions education and menstrual health. My ancestors are from the Punjab region of modern-day India/Pakistan, though I was born and raised in Metro Vancouver on Coast Salish Territory. Outside of my PhD work, I run two social enterprises, @imwithperiods and Researchbox.ca. Overall I spend my days balancing research, teaching, organizing (I love a good planner), dog walks, cooking (and eating of course!), sustainability, and attempts at decolonial, intersectional community involvement.

 

Research

My research interests include:

  • Sex and Gender-Based Analysis + (SGBA)
  • Sex as a Biological Variable (SABV)
  • Gender+
  • Social Determinants of Health
  • Equity, Diversity, and Inclusion
  • Mxnstrual Heath (Mahvari) Research

For more info check out https://www.researchbox.ca

 

Selected Publications

For more info check out https://www.researchbox.ca

Bhandal, Taq Kaur & MacLean, Emily. (In Progress). A systematic review of menstrual hygiene management discouse, infectious disease, and the pathologization of the Global South. BMJ Journal of Epidemiology and Community Health.

Bhandal, Taq Kaur & Hilario, Carla. (In Progress). Decolonial feminism in mental health research and practice in Vancouver, Canada. Health Sociology Review.

Bhandal, Taq Kaur. (In Progress). Sex and gender in Canadian menstrual health research. BMC Women’s Health.

Bhandal, Taq Kaur. (In Progress). Red and brown blood: Decolonial feminist perspectives on menstrual health. Doty, K & A.J. Lowik (Eds.). Reproduction and Parenting Beyond the Binary. Bradford, CA: Demeter Press.

Bhandal, Taq Kaur & Buddhavarapu, Shruti. (In Review). Period, pain: Anti-colonial discourse in global menstrual health research and activism. Women’s Reproductive Health.

Bhandal, Taq Kaur. (2020). Self-Care Down There: An All Genders Guide to Vaginal Wellbeing. New York, NY: Simon & Schuster.

Bhandal, Taq Kaur (Ongoing) Short Articles on Mxnstrual Health from Indigenizing and Intersectional perspectives http://www.imwithperiods.com/features

Bhandal, Taq Kaur. (2018). Ethical globalization? Opportunities for decolonizing frameworks for internationalization in Canadian medical education. Canadian Medical Education Journal. 9(2): 33-45.

Bhandal, Taq Kaur. (2016). Possibilities for intersectional theorizing in Canadian historiography: The subaltern narrative of Canadian medical schools. Graduate History Review. 5(1): 46 – 82.

Bhandal, Taq Kaur, Joly, France-Emmanuelle, Cao, Lisa. (2016). Women’s health, wellness, and equity in Vancouver and the Downtown Eastside: An environmental scan for decision makers. Vancouver Women’s Health Collective Report.

Bhandal, Taq Kaur & Ahmad, Farah. (2014). Neoliberal racialized and gendered subjectivities: A case study of employed, pregnant South Asian immigrant women in Toronto. MA Health, Policy, Equity Thesis, York University

Bhandal, Taq Kaur. (2014). Finding gendered inequities in poor women’s experiences of neoliberal health care and labour: perspectives from India. Health Tomorrow. 2(1): 1-26.

 

Awards

Research Funding 2017/5 – 2020/5 Canadian Institutes of Health Research Doctoral Program – Canadian Graduate Schol. Ranking: Top 8 percent of applicants. Total Funding: 105,000 for 3 years.| Research Funding 2017/8 – 2020/8 University of British Columbia Fellowship for Doctoral Students. Ranking: Top 2 percent of applicants. Total Funding: Tuition funding for 3 years. |Research Funding 2015/9 – 2016/8 University of British Columbia. Social Justice institute Graduate Funding. Ranking: Top 10 percent of applicants. Total Funding: 19,000 for 1 year.|Research Funding 2014/4 – 2014/8 York Univeristy. Lillian Wright Maternal-Child Health Schol. Ranking: Top 5 percent of applicants. Total Funding: 10,000 one time stipend.| Research Funding 2014/4 – 2014/4 York University. CUPE Spring 2014 Research Cost Fund. Ranking: Top 10 percent of applicants. Total Funding: 1000 for research expenses.|Research Funding 2013/9 – 2014/8 York University. Graduate Fellowship Program. Ranking: Top 5 percent of applicants Total Funding: 13,000 for 1 year.|Vancouver City Council Elections 2018 City of Vancouver Independent Council Candidate Ranking: Top 5 independent candidates, 15,474 votes, not elected. | Ubyssey Magazine Awards, 2018 University of British Columbia. Highly Productive People on Campus Ranking: Top student Out of six people chosen alongside UBC Pres. |Vancouver Women’s Health Collective, 2015. Downtown Eastside, Vancouver Board of Directors. Ranking: Chair. Elected to serve as Chair for a one-year term.|Canadian Conference on Global Health, 2012. Canadian Society for International Health Award for Student Presentations. Ranking: Top 5 percent of presenters. Received Certificate and Award.|Honours Distinction, and Dean’s List, 2012. Dalhousie University Student GPA Rankings. Ranking: Top 8 percent of students. Listed on transcript, website, and diploma.|For more info check out https://www.researchbox.ca||https://www.researchbox.ca||2014 

Jenn Clark

Education

BA, Psychology, Kwantlen Polytechnic University (2013)

MA, Gender, Race, Sexuality and Social Justice, University of British Columbia (2021)

Biography

Jenn Clark is a first year MA student at the Institute for Gender, Race, Sexuality and Social Justice. Her primary research interests include: the distinct differences between sexual orientation and gender; homophobic humor and its implications; and patriarchal sex practices. Other research interests include: gender, sexual orientation, and stereotyping. In her spare time, Jenn is working hard to provide quantitative evidence toward the female seduction myth.

Jules Koostachin

Contact Information

Supervisor: Dr. Jan Hare

Education

PhD in Gender, Race, Sexuality, and Social Justice, University of British Columbia (2021)

MA in Documentary Media Program, Ryerson University (2010)

BA in Fine Arts, Major Theatre Program, Concordia University (1996)

Biography

Born in Moose Factory Ontario, and a band member of Attawapiskat First Nation, the Ancestral lands of the MoshKeKo AsKi InNiNeWak, Jules was raised by her Cree speaking grandparents in Moosonee, as well as with her mother in Ottawa, a warrior of the Canadian Residential school system. Jules completed her PhD with GRSJ at UBC in 2021, and her research MooNaHaTihKaaSiWew: Unearthing Spirit focuses on Indigenous documentary methodologies. Jules has a number of academic publications regarding Indigenous filmmaking.

In 2010, she completed her masters at Ryerson University in Documentary Media where she was awarded the Award of Distinction for her thesis work, as well as the Graduate Ryerson Gold Medal for highest academic achievement. While in graduate school, she produced her first feature documentary Remembering Inninimowin regarding her journey of remembering Cree. After graduation, Jules was one of six women selected for the WIDC program, where she directed a scene from her feature Broken Angel. Her script was also selected for the TIFF’s Filmmaker lab, as well as the Whistler’s Screenwriting lab. Jules is an ACTRA member, a member of Directors Guild of Canada member, and part of the Blackmagic Collective Breakthrough Initiative in LA.

Jules’ company VisJuelles Productions Inc. has a number of media works in development. Her television series AskiBOYZ co-produced with Big Soul Production is currently being aired on Aboriginal Peoples Television Network in both Cree and English. She has released several award-winning CBC docs: NiiSoTeWak: Two Bodies, One Heart, OshKiKiShiKaw: A New Day and KaYaMenTa: Sharing Truths about Menopause.  Over the years, she has released a number of other films/projects including Butterfly Monument about her relation, the late Shannen Koostachin with co-director/producer Rick Miller. Her narrative film OChiSkwaCho premiered at imagineNATIVE and screened at several other festivals worldwide.  Jules recently released a short narrative MisTik and her feature drama Broken Angel.  She is development with her next features Angela’s Shadow and KaTaWaSiSin. She is in production with her NFB feature documentary WaaPiiKee and Chubby Cree with Soapbox Production.

Jules was the Indigenous Storyteller in Residence with the Vancouver Public Library where she further developed her poetry, and soon after, Unearthing Secrets, Gathering Truths was published. Jules is currently writing her novel Moccasin Souls. She is represented by The Characters in Vancouver, and is the voice of Layla (Mom) on the new PBS Kids/CBC Kids animated series Molly of Denali. Jules is also represented by Lucas Talent for writing and directing. She carries extensive knowledge working in Indigenous community in several different capacities and these community experiences feed her arts practice.

In her Arts Alumni Q&A profile, she talks about how her education was critical for her academic and professional career as a creative artist and filmmaker while allowing her to challenge herself in navigating a colonial system. Read the Q&A

 

 

 

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