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UID:20230311T0335Z-1678505708.2187-EO-27156-40@10.19.146.1
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DTSTAMP:20260416T224911Z
CREATED:20230118T213233Z
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SUMMARY: Sound Geography: Place as Musical Primer
DESCRIPTION:         Please join us via zoom: Abstract:   This talk will li
 sten to how musicians compress place–actual corners\, stages\, live perform
 ances\, and the social worlds that developed them–into song. In addition to
  the pressing of these grounds into sound\, we will listen together to how 
 musicians also offer new spatial imaginaries that […]
X-ALT-DESC;FMTTYPE=text/html: <p> </p><p> </p><p> </p><p><img class=" wp-im
 age-27318 aligncenter" src="https://grsj.cms.arts.ubc.ca/wp-content/uploads
 /sites/40/2023/01/revised_Vazquez_banner_event_KT-300x169.jpg" alt="" width
 ="1012" height="570" /></p><p> </p><p style="text-align: center\;">Please j
 oin us via zoom:</p><p style="text-align: center\;">[accordions collapsible
 =true active=false][accordion title="RSVP"][gravityform id="34" title="true
 " description="true"][/accordion][/accordions]</p><p>Abstract:   This talk 
 will listen to how musicians compress place--actual corners\, stages\, live
  performances\, and the social worlds that developed them--into song. In ad
 dition to the pressing of these grounds into sound\, we will listen togethe
 r to how musicians also offer new spatial imaginaries that invite a differe
 nt relationship to place\, one that does not presume possession\, but a tem
 porary stewardship of who and what was there before. To enhance our hearing
  of cities as vibrant holdings of the sounds of people in passing and perpe
 tuity\, we will listen in counterpoint to songs with “non-musical” archival
  castaways (the detritus of record collectors\, scrapbooks\, oral histories
 \, touristic collectables\, etc.). By pairing songs with unexpected accompa
 niments\, the talk has two hopes: 1. to imagine\, through music\, the camou
 flaged movements of people on the move and the things they bring with them\
 , and 2. to work in a migratory analytical mode that moves between sound\, 
 object\, and place.</p><p>Bio:   Alexandra T. Vazquez in an associate profe
 ssor in the Department of Performance Studies at New York University. Her r
 esearch and teaching interests focus on music\, popular performance\, Carib
 bean aesthetics and criticism\, U.S. Latina and Latin American Studies\, ra
 ce and ethnicity\, and feminist theory and biography. Vazquez is the author
  of the recently released The Florida Room (Duke University Press\, 2022). 
 Her previous book\, Listening in Detail: Performances of Cuban Music (Duke 
 University Press 2013)\, won the American Studies Association’s Lora Romero
  Book Prize in 2014. Her work has been featured in such journals as small a
 xe\, American Quarterly\, Social Text\, women and performance\, and the Jou
 rnal of Popular Music Studies\; and in the edited volumes Nonstop Metropoli
 s: A New York City Atlas\, Keywords for Latina/o Studies\, Reggaeton\, The 
 Tide Was Always High\, and Pop When the World Falls Apart. You can also fin
 d her writing on the great Celia Cruz on NPR’s “Turning the Tables” series.
  Vazquez is a proud graduate of the New World School of the Arts high schoo
 l in Miami\, Florida.</p><p> </p>
URL;VALUE=URI:https://grsj.arts.ubc.ca/events/event/sound-geography-place-a
 s-musical-primer/
ATTACH;FMTTYPE=image/jpeg:https://grsj.cms.arts.ubc.ca/wp-content/uploads/sites/40/2023/01/Vazquez-photo-2021.jpeg
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